effect of nutrient on bean essays

effect of nutrient on bean essays Effects of excessive macronutrients on growth and development of ( Phaseolus Vulgaris ) I predict that excessive Nitrogen(N) added to soil will result in the burning of the leaves and moderate color loss in the bean plant. Excessive Phosphorus(P) added to soil will result in death of the bean plant within a month. Excessive Potassium(K) added to the soil will result in yellowing of leaves and slowly lead to death of the bean plant. Excessive Iron(Fe) added to soil will result in death of bean plant within weeks. Introduction A experiment was conducted at CSULA greenhouse. To investigate the influence of 16 times the recommended macronutrient amount added to the bean plants in a one month period. The macronutrient Nitrogen, Phosphorus, Potassium are the most common components of plant fertilizers. These macronutrients are the chemical building blocks of plant structure. The addition of macronutrients will generally enhance plant growth. But excess amount will also cause plasmolysis of root cells and damage to or death of the plant (Gomez Material Pot experiments were carried out during January to March 2004 to investigate the effect of different levels of macronutrients on growth and development of kidney bean plant (Phaseolus vulgaris) at CSULA greenhouse. Each pot was filled with 1000g of mix soil (pH6.5). The seeds were bought in1997 from Burpee Company. The seeds were planted on Dec. 12, 2003 in a mixture of one part peatmoss, redwood compost (by Orchard Supply Hardware) a...

Definition and Examples of Symploce in Rhetoric

Definition and Examples of Symploce in Rhetoric Symploce is a  rhetorical term for the repetition of words or phrases at both the beginning and end of successive clauses or verses: a combination of anaphora and epiphora (or epistrophe).  Also known as complexio. Symploce is  useful for highlighting the contrast between correct and incorrect claims, says Ward Farnsworth. The speaker changes the word choice in the smallest way that will suffice to separate the two possibilities; the result is a conspicuous contrast between the small tweak in wording and the large change in substance (Farnsworths Classical English Rhetoric, 2011). EtymologyFrom the Greek, interweaving Examples and Observations The yellow fog that rubs its back upon the window-panes,The yellow smoke that rubs its muzzle on the window-panes . . ..(T.S. Eliot, The Love Song of J. Alfred Prufrock. Prufrock and Other Observations, 1917)The madman is not the man who has lost his reason. The madman is the man who has lost everything except his reason.(G.K. Chesterton, Orthodoxy, 1908)In the years after World War I my mother had put pennies for Grace [Cathedral] in her mite box but Grace would never be finished. In the years after World War II I would put pennies for Grace in my mite box but Grace would never be finished.(Joan Didion, California Republic. The White Album. Simon Schuster, 1979)For want of a nail the shoe was lost.For want of a shoe the horse was lost.For want of a horse the rider was lost.For want of a rider the battle was lost.For want of a battle the kingdom was lost.And all for the want of a horseshoe nail.(attributed to Benjamin Franklin and others) Effects of Symploce Symploce can add a sense of measured balance to the rhetorical effects achieved through either anaphora or epiphora. Paul demonstrates this in Are they Hebrews? So am I. Are they Israelites? So am I. Are they of the seed of Abraham? So am I. Symploce can also string together clauses to create either a catalogue or gradatio.(Arthur Quinn and Lyon Rathbun, Symploce. Encyclopedia of Rhetoric and Composition: Communication From Ancient Times to the Information Age, ed. by Theresa Enos. Taylor Francis, 1996) Symploce in Shakespeare Most strange, but yet most truly, will I speak:That Angelos forsworn; is it not strange?That Angelos a murderer; ist not strange?That Angelo is an adulterous thief,An hypocrite, a virgin-violator;Is it not strange and strange?(Isabella in William Shakespeares Measure for Measure, Act 5, scene 1)Who is here so base that would be a bondman? If any, speak; for him I have offended. Who is here so rude that would not be a Roman? If any speak; for him have I offended. Who is here so vile that will not love his country? If any, speak; for him have I offended.(Brutus in William Shakespeares Julius Caesar, Act 3, scene 2) Bartholomew Griffin's Perfect Symploce Most true that I must fair Fidessa love.Most true that I fair Fidessa cannot love.Most true that I do feel the pains of love.Most true that I am captive unto love.Most true that I deluded am with love.Most true that I do find the sleights of love.Most true that nothing can procure her love.Most true that I must perish in my love.Most true that She contemns the God of love.Most true that he is snarà ¨d with her love.Most true that She would have me cease to love.Most true that She herself alone is Love.Most true that though She hated, I would love!Most true that dearest life shall end with love.(Bartholomew Griffin, Sonnet LXII, Fidessa, More Chaste Than Kinde, 1596) The Lighter Side of Symploce Alfred Doolittle: Ill tell you, Governor, if youll only let me get a word in. Im willing to tell you. Im wanting to tell you. Im waiting to tell you.Henry Higgins: Pickering, this chap has a certain natural gift of rhetoric. Observe the rhythm of his native woodnotes wild. Im willing to tell you. Im wanting to tell you. Im waiting to tell you. Sentimental rhetoric! Thats the Welsh strain in him. It also accounts for his mendacity and dishonesty.(George Bernard Shaw, Pygmalion, 1912) Pronunciation: SIM-plo-see or SIM-plo-kee Alternate Spellings: simploce